Data Driven Installations

SEVENTYNINE (Prag, Karlsruhe, Frankfurt 2020-2025)

Narcissistic Machine Guangdong Museum of Art 2024

"COLUMBUS 2.0" in the THE SHOW "TIME GRAVITY" AT THE CHENGDU BIENNALE IN TIANFU ART MUSEUM 2023

Art Mix Plus: BioMedia – The Age of Media with Life-like Behavior @ ZKM – ArtMix – 2021-2022

Vortext (Karlsruhe, 2021)

Flashouse (Stuttgart, 2020)

Flood (Prague, 2019)

Vasulka's Wave (Brno, 2018)

Gottes Namen (Lausanne, 2018)

Gottes Namen (Karlsruhe, 2018)

Narcissistic Machine (Karlsruhe, 2018)

Lost (Havana, 2017)

Data Labyrinth (Karlsruhe, 2017)

Lost (Straßbourg, 2016)

Lost Objects (Prag, 2015)

Data Steel (Ostrava, 2015)

Why Don't We China (Proposal, 2015)

What You See is not What You See (Ogu Ginza, 2015)

Garden of Error and Decay - Japanese Version (2015)

Why Don't We (Düsseldorf, 2014)

Why Don't We Wagner (Wien, 2013)

Why Don't We (Berlin, 2013)

Passage (Ulm, 2013)

Garden of Error and Decay (Art Centre Nabi, 2013)

Garden of Error and Decay (Wien, 2012)

Garden of Error and Decay (Moskau, 2011)

Garden of Error and Decay (Wuhan, 2010)

Riding the Mind (ZKM, 2009)

Falling Times (Sao Paulo, 2008)

Falling Times (New York, 2008)

Columbus 2.0 (Sevilla, 2008)

This Year in Jerusalem (Prag, 2006)

Crossings: Last Path of Walther Benjamin (Portbou, 2002)

Exhibition (On The Web) (Paris, 2002)

Room With A View (Wolfsburg, 2000)

Delvaux's Dream (Kalrsruhe, 1998-99)

Exodus (Negev Desert, 1995)

Intelligent Mailman (Linz, 1994)

Contact

Prof. Michael Bielicky

e-mail: michaelbielicky@gmail.com

Learn more about the artist

Read the CV of Michael Bielicky

Explore the works of Michael Bielicky.